Dry brush technique, a modern style of oil painting on paper, quite similar to drawing portraits in pencil.
What is a drybrush technique?
Dry brush technique is a modern style of painting in which oil paint, bristle and synthetic brushes are used on watercolour paper or fabric. A few drops of solvent is used as well and a rubber eraser for highlights and details. Why it is called Dry Brush technique? Black oil paint (of any kind) is squeezed from the tube onto the palette, only a little bit and if desired, 2-3 drops of domestic sewing machine lubricating oil or diesel fuel is added as solvent. Slightly touch the paint with the paintbrush and rub it on a palette so that the brush is actually almost dry.
For a black and white portrait about 0.5 cubic centimeter of black oil paint is enough. Then apply a very thin layer of paint on watercolor paper or fabric. The result: the surface is not greasy when you touch it, therefore you can frame it or roll it up for transport without a frame. At first glance Dry Brush is very similar to pencil portraits. In fact, pencil is actually used: some artists depict the picture initially by drawing a pencil sketch and only then do they start using a brush with oil paint; while other artists do not use pencil at all and use dry brush technique from start to finish - like some of the artists of Moscow's Arbat street used to do. The most important feature of dry brush technique is that it allows speed drawing with excellent quality in a very short time, so a portrait artist can earn much more money this way than using any other drawing techniques. More information can be found here: How to earn money by drawing
The dry brush method of drawing first came into existence roughly about the mid 20th century. Soviet artists made such black and white and color portraits by rubbing brushes with paint on white cotton cloth - ordinary white sheet stretched on a frame. Paper was also used but this was short-lived because of the conditions (sungliht, etc.) and the szie that made it non-practical. The size of the portraits were often as big as three meters and therefore only canvas was practical to use - although it was expensive. They were mostly portraits of political figures of the Socialist era: Lenin, Stalin, Brezhnev and other important people. In the days of Leonid Brezhnev there were court painters -so called "retouchers"- whose jobs were to touch up someone's image: their imperfections, clothes/uniforms - especially the images of very important persons: members of the Politburo of the Communist Party of the USSR, who wished to appear in the portraits as immaculate - hence, more respectable.
The dry brush technique used in such portraits involved several techniques: dry brush, watercolor, colored pencils, tempera. In modern art dry brush is perceived as a non-traditional technique, it has mostly been used by free/street artists. Not in one art institution this technique of drawing is taught. A new painting technique simply can not be recognized in academic circles for various reasons, conservative views - despite the fact that we live in the 21st century now and portraits in this brilliant painting technique have gained popularity. You can find no information about dry brush technique of drawing in bookstores either. Therefore, many skilled artists have trained independently.
Dry brush technique seems very simple at first glance, but it is not. If you choose to learn this technique, you still need to have some experience in drawing portraits with pencil, sanguine and charcoal. To understand its entire essence and hidden subtleties, practice and work hard, making 2-3 drawings every day such as portraits, still life or the beauties of nature. Proper results show up only after years of productive work.
Currently dry brush technique is considered to be one of the most advanced drawing techniques. It is the fastest way to draw a portrait from life, yet some artists from different countries do not know about dry brush at all and so they draw portraits using the old method of drawing with charcoal, pencil, sanguine, pastel, etc., thus they lose more of their time - and, of course, their earnings.
see FAQ How to Dry Brush. ..............................................................
At present I am getting a lot of emails with various questions from many portrait artists from different countries about this popular technique of drawing on paper with oil paints. The technique today is recognized by many freelancers throughout the civilized world, the popularity and demand keep growing and growing every day.
Difficulty in drawing dry brush
This technique requires a lot of fine corrections, during working there is always a lot of waving with your hands while rubbing the paintbrush, so you must paint carefully - you can accidentally knock something, sending a blot of paint in portrait, which, if not removed instantly, often causes permanent damage. In such a case you must draw the whole portrait again, which is particularly unpleasant if you draw a pair or three persons so you need to paint with
greater caution and absolutely utmost care. Also brushes wear down and you must buy new ones. It is very difficult in this technique to paint color portraits, as colors are very limited in comparison to traditional oil portraits on canvas where the canvas can be repainted several times until you get the desired color. With dry brush technique you do not have that freedom: colors should be more or less correct immediately. It is also very difficult to find a good eraser to lighten parts of portrait, highlights, glare, hair, etc., even in specialized stores and salons it is a great rarity. The eraser gum must be soft and should not be completely solid. For black and white portraits there is a certain type of paint called Tiondigo which is popular among artists, but it's also very difficult to find. Strangely enough, its production was cancelled and on the black market it is very expensive. Brushes quickly wear out due to constant grinding so it is necessary to buy new ones frequently. It can also happen that there is no adequate watercolour paper in the shop - which can be absent there for a long time.
How to keep a portrait in technique of dry brush
How to keep a portrait in technique of dry brush When you need to transport a portrait without a frame, you place it between 2 sheets of thick cardboard or gently roll it to put in a tube. A portrait without a frame must be handled carefully. Watercolor paper, though dense as drawing paper, easily crumples. It is not recommended to keep a portrait in tube for a long time. A drawing or painting on any type of paper should be stored away from direct sunlight in a frame under glass, thus protecting the portrait from dust and moisture for many years.